Sunday, June 27, 2010
"The Narragansett 2"
This painting was done in my studio from information I had gathered on site. It's still not what I wanted, so I will make another attempt. Then I ask myself the question, "Is it possible to ever get it right?"
"The Narragansett"
A few weeks ago I attended a plein air workshop on Block Island with painter Pamela duLong Williams.
The workshop was very helpful in pounding in those academic rules that I tend to forget so easily. One thing I tend to forget after laying in my darks in the beginning, is to go back and re-establish those darks again throughout the painting process, when I tend to let things get a bit muddy. And to keep my darks rich! I also worked on planning my paintings better in the beginning with small thumbnail sketches. This is a thumbnail of "The Narragansett", one of the large hotels on Block Island on the Great Salt Pond.
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My first attempt at painting, which is oil on wood panel.
The workshop was very helpful in pounding in those academic rules that I tend to forget so easily. One thing I tend to forget after laying in my darks in the beginning, is to go back and re-establish those darks again throughout the painting process, when I tend to let things get a bit muddy. And to keep my darks rich! I also worked on planning my paintings better in the beginning with small thumbnail sketches. This is a thumbnail of "The Narragansett", one of the large hotels on Block Island on the Great Salt Pond.

My first attempt at painting, which is oil on wood panel.
Friday, June 25, 2010
"Just a Nip"
Cut up orange pieces are fun to work with if the lighting is right passing through the orange, giving a translucent appearance. I have been experimenting with reflected light off this black coffee cup. I find it helpful to keep in mind that the cup is still a black cup regardless of what bright object is reflected off its' surface. I must paint the oranges in a low key, with the colors leaning towards a darker grey on the color scale, to make it believable. The blue background is complimentary to the oranges in the painting, creating a more harmonious feel.
Saturday, June 19, 2010
"Max" the dog
A few months ago a dear friend on Facebook wrote to me asking if I would do a portrait of her dog, Max. After receiving photos and information about Max I was eager to go. I knew what he smelled like, where he slept, his likes and dislikes of the outdoors and a well-rounded sense of who Max was. With all of his mixed- in good looks from various breeds of dogs, I thought that Max would be best portrayed in a celestial-type painting that included whimsical design. He's a real sweetheart, so why not paint him with trees, little Max's all in a row and the stars. He was very well- behaved and quite the patient sitter!
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